Description
Gotoh UPTL 4:1 Planetary Ukulele Tuning Machines - Set of 4 Black/White is a set of four planetary geared ukulele tuners with a 4:1 gear ratio and long stems for headstocks 11.5mm thick or more, made in Japan. They replace friction tuners and suit KoAloha concert and soprano models among others.
Specifications
| SKU | Gotoh-UPTL-Black-White |
|---|---|
| Model | UPTL |
| Type | Planetary Geared Tuners |
| Quantity | Set of 4 |
| Gear Ratio | 4:1 for smooth, precise tuning |
| Stem Length | Long (for headstocks 11.5mm thick or more) |
| Button Style | UBN (White Oval) |
| Color | Black stems with white oval buttons |
| Upgrade Fit | Ideal retrofit for ukuleles with existing 8mm+ tuner holes |
| Recommended Use | Upgrade for friction tuner-equipped ukuleles (including KoAloha Concert & Soprano models: KCM-00, KSM-00, KCO-10, KSO-10, KCO-10S) |
| Country of Manufacture | Japan |
Measurements
| Weight | Approx. 2 1/4 ounces (set of four) |
|---|---|
| Mounting Hole Requirement | 9.5mm (3/8”) diameter |
| Compatible Headstock Thickness | 11.5mm to 13.5mm |
Common questions
What gear ratio are the Gotoh UPTL ukulele tuners?
The Gotoh UPTL tuners are planetary geared tuners with a 4:1 gear ratio.
Will the Gotoh UPTL tuners fit my ukulele headstock?
The Gotoh UPTL tuners have long stems for headstocks 11.5mm to 13.5mm thick, and need a 9.5mm (3/8”) mounting hole.
Can the Gotoh UPTL tuners replace friction tuners on a KoAloha?
Yes. The Gotoh UPTL tuners are listed as an upgrade for friction tuner-equipped ukuleles, including the KoAloha KCM-00, KSM-00, KCO-10, KSO-10 and KCO-10S.
How many tuners come in the Gotoh UPTL set?
The Gotoh UPTL set has four tuners and weighs approximately 2 1/4 ounces for the set.
Where are Gotoh UPTL tuners made?
Gotoh UPTL tuners are made in Japan.
TERRY CARTER MUSIC STORE ADVANTAGE
- 🎓 FREE 1-Month Membership at Uke Like The Pros AND Rock Like The Pros ($70 value)
- 📦 Fast, Fully Insured Shipping on Every Order
- 🔄 Easy 30-Day Returns on New Instruments
- ⭐ 30,000+ Orders Since 2018 — Real Musicians, Real Service




